|The Chinese suona, often called laba (trumpet), first appeared
in the Wei and Jin period (220-420).
It has a penetrating tone quality, The suona is has a passionate and lively sound, particularly good at imitating the singing of hundreds of birds.
Copper, brass and wood with coral and turquoise colored pieces on eight rings section along the body of the instrument.
23.5" H as shown. 6" diameter.
The suona (simplified Chinese: 唢呐; traditional Chinese: 嗩吶; pinyin: suǒnà); also called laba (Chinese: 喇叭; pinyin: lǎbā) or haidi (Chinese: 海笛; pinyin: hǎidí) is a Han Chinese shawm (oboe). It has a distinctively loud and high-pitched sound, and is used frequently in Chinese traditional music ensembles, particularly those that perform outdoors. It is an important instrument in the folk music of northern China, particularly the provinces of Shandong and Henan, where it has long been used for festival and military purposes. It is still used, in combination with sheng mouth organs, gongs, drums, and sometimes other instruments, in wedding and funeral processions. Such wind and percussion ensembles are called chuida or guchui.
The suona is believed to have been developed from Central Asian instruments such as the sorna, surnay, or zurna, from which its Chinese name probably derives. It was originally introduced into China from central or South Asia. A musician playing an instrument very similar to a suona is shown on a drawing on a Silk Road religious monument in western Xinjiang province dated to the 3rd to 5th centuries, and depictions dating to this period found in Shandong and other regions of northern China depict it being played in military processions, sometimes on horseback. It was not mentioned in Chinese literature until the Ming Dynasty (1368–1644), but by this time the suona was already established in northern China.
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